Broadcasting in old days was one-way communication; input-edit-output to the public. Nowadays public can also output messages thanks to development in IT technology. Through the development the primacy of the “sender” has got weaken. Since this is a public building, not private, the it has advantage to be conceived as a common platform where the “receiver” can also access, participate, and view the process of the broadcasting.
Broadcasting in old days was one-way communication; input-edit-output to the public. Nowadays public can also output messages thanks to development in IT technology. Through the development the primacy of the “sender” has got weaken. Since this is a public building, not private, the it has advantage to be conceived as a common platform where the “receiver” can also access, participate, and view the process of the broadcasting. The new location allows the house to become an extension of park where people can walk through, stop by for a cup of coffee, and to give a quiet but inspiring background for everyday life. Our objective is to break up the immense programme into some sizable volumes: 3 studio blocks, an office block, and a base. The idea also is to symbolize loose independence between different departments and a common base as a uniting body. The glass boxes are to “transmit” light which is represented in primary colors of light; red, yellow, and blue.
Ringhääling vanadel aegadel oli põhiliselt ühesuunaline kommunikatsioon; „sisend-toimetus-väljund“ rahvale. Tänapäeval tänu infotehnoloogilistele lahendustele saab ka publik väljundina toimida. Selle arengu tõttu on saatja tähtsus vähenenud. Kuna tegemist on ühiskondliku hoonega, saab seda tajuda ühise platvormina, kus ka vastuvõtja saaks olla ühenduses, võtta osa ning näha ringhäälingut kui protsessi. Uus asukoht võimaldab hoonel olla pargi pikenduseks, kust inimesed saavad läbi jalutada, peatuda tassikeseks kohviks ning muutuda tummaks aga inspireerivaks igapäevaelu taustaks. Meie eesmärgiks oli tohutu ruumiprogramm jagada väiksemateks mahtudeks: 3 stuudioblokki, kontoriblokk ning peastaap. Idee oli ka sümboliseerida erinevate osakondade sõltuvust kesksest peamahust, mis tervet ala ühendab. Valguse põhivärvides – punane, kollane ja roheline – klaasist mahud “edastavad” ka valgust.
Team:
Hanno Grossschmidt, Tomomi Hayashi, Simone Leuenberger
Open International Competition:
RUNNER-UP PRIZE, 4TH PLACE/
August, 2007